SODA (2020)
Narrative feature, fiction, 105 pages.
Genre: Drama.
Status: open to inquiries.

Logline: Unjustly accused of an accidental killing, Jay, a teenage skateboarder, teams up with a flamboyant female drug lord to ferret out the real culprit. As they roam the city, an unexpected mother-and-son bond develops, but the victim’s own mother is out for revenge.

Genre: Flannery O’Connor-like sun-dazzled drama.

“Soda is like some sort of surrealistic fever dream; it tackles highly current events while being a timeless coming of age story, while also being a journey of revenge and repentance. What’s so interesting about this script is that it has the frenetic energy of someone telling you an outrageous story while also taking the time to highlight the setting and vibe of the city around the characters. It’s reminiscent of a Harmony Korine film in the sense that it’s a funhouse mirror for a world that a lot of Americans choose to ignore”.
– Blue Cat Screenplay competition finalist feedback. 

THE DOORMAN (2018)
Episodic narrative: 12 episodes.
Genre: Comedy, social satire.
Status: unproduced/open to inquiries.

Logline: A doorman is enlisted by the detective in charge to solve a murder case at a New York luxury rental building with low, mixed-income, and market-rate tenants.

Note: this screenplay was written three years before Only Murders in the Building.

ACCORDING TO HER
Narrative Feature: Fiction, 95 pages.
Genre: Drama.
Status: Produced (2016), released (2017)

Logline: Love, motherhood, and a musical career strike dissonant chords in this dark tale of a young migrant woman who tries to keep her balance among wealthy French ex-pats in New York.
Genre: Drama, social satire.
Status: Released in 2017.