Short Films & Video Art

My shorts and video art pieces have been exhibited at the Brucennial in New York, the Kunsthalle in Basel, the Palais de Tokyo in Paris, the Shchusev State Museum of Architecture in Moscow, and the Korean Culture & Art Foundation in Seoul, and also in art galleries such as Trafic or screened at Brigade des Images in Paris.

Video art installations.

Magic!, Ego, and Madame Rêve, are video installations where films are either projected on multi-plans or enclosed in small spaces thus questioning the position of the viewer and the dynamic of the moving image in space.

Magic! (enclosed screen)
Ego (screen & furniture)
Madame rêve (screen, furniture, mechanical spiders)

Other artworks include short films: Deaf and Dangerous, Amour, Gloire et Beauté and Blank, as well as the video installations Video Reader and Echo-Incidences realized in association with Stephane Piannaci.

Echo-Incidences (double screen)
Amour, Gloire et Beauté (short film and photo)
Blank (multiple screens loop)

Few photographies.

Made for the exhibition ‘Qu’est-ce que l’Art Domestique?’ in Paris and the associated publication.


Writings on video art have been published by L’Harmattan and are in consultation at the Centre Pompidou library:

L’ art et le politique interloqués.
L’ art contemporain au risque du clonage.

And by the following publishers (selection):

From Nam June Paik to Pipilotti Rist, paradoxes of the video installation.
in. Videoformes, XXI ° international Video, and New Media Festival, Paris.

In Clint Eastwood’s shoes.
in. La Voix du Regard n°18, literature and philosophy magazine, Paris.

Space for collective works: Film and Video.
in. Divus, Umelec International n°4, Contemporary Art Review, Prague.

Le Temps en Partage.
in. Plastik n°4, revue du CERAP, Paris.

Other publications:

– The contemporary status quo.
in. Encrages, magazine of contemporary art n°4, L’Harmattan, Paris.

– Confused body.
in. Grenoble university publications, Grenoble.

– On obscenity.
in. La Voix du Regard n°15, Paris.

– Troubles and inheritance
in. Plastik n°2, the magazine of contemporary art, Paris.I

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