Screenplays



SCREENSHOTS (2022)
– Narrative feature, fiction, 96 pages.

Logline: It’s Christmas eve, on the verge of being evicted a high school dropout steals a cellphone and passes for its wealthy owner before falling in love with her.

Genre: Romantic-Comedy, Christmas tale.

Status: in development.



TURN THE TIDE (2018)
– Narrative feature, fiction, 105 pages.
– Final Draft screenwriting contest finalist.

Logline: Unjustly accused of the accidental killing of a child by a stray bullet, a young skateboarder teams up with a flamboyant drug lord to ferret out the real culprit; that is, before the child’s mother goes on the hunt herself.

Genre: Drama, thriller.

Status: Unproduced.

“Turn the Tide is like some sort of surrealistic fever dream; it tackles highly current events while being a timeless coming of age story, while also being a journey of revenge and repentance. What’s so interesting about this script is that it has the frenetic energy of someone telling you an outrageous story while also taking the time to highlight the setting and vibe of the city around the characters. It’s reminiscent of a Harmony Korine film in the sense that it’s a funhouse mirror for a world that a lot of Americans choose to ignore”.

– Blue Cat Screenplay competition finalist feedback. 

THE DOORWOMAN (2017)
– Episodic Narrative: 12 episodes.
– Pilot, treatment, show bible.

Logline: Drawn into a murder case at a luxury rental building with mixed-income tenants, a doorwoman is enlisted by the detective in charge to solve the case.

Genre: Comedy, social satire.

Status: Optioned.

ACCORDING TO HER (2016)
– Feature Narrative Fiction, 95 pages.
– Produced (2016).
– Released in English (2017), in French (2018).

Logline: Love, motherhood, and a musical career strike dissonant chords in this dark tale of a young Russian woman who tries to keep her balance among wealthy French expats in New York.

Genre: Drama, social satire.

Status: Produced.

 

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